What Cameras Does Hollywood Use

Sound, camera, and action!
- Analog motion-picture show cameras
- Digital moving-picture show cameras
An introduction to different film cameras
- IMAX
- Panavision Millennium DLX2
- ARRI Alexa
- Cherry-red Ane & RED Ballsy
- Canon Photographic camera EOS
All film cameras at a glance
- Moving-picture show cameras are the key to blockbusters

The mystical world of California'south Hollywood is the forge of numerous blockbusters that we have enjoyed in recent decades. Films yet accept us into strange worlds and make us dream. We nowadays some film cameras that took these dreams to the screen.

Sound, camera, and action!

Many Hollywood directors such every bit Christopher Nolan, Zack Snyder or Quentin Tarantino still swear past the analog motion-picture show technique of the past. Before there were digital cinema cameras, directors shot big cameras and film reels. For instance on 35mm, 65mm or 70mm motion-picture show.

In contrast, digital movie house cameras exercise not require film rolls, merely store the picture show material digitally on hard disks.

This saves a lot of weight and time during production. Simply what is lost in return? We explain whether and what advantages or disadvantages this entails.

Digital film cameras are the future and analogue is yesterday's snow? Wrong. © gnepphoto

Analog movie cameras

Analog moving picture rolls must first be scanned.
The moving film in the camera can crusade racket.
Film reels age over time and can become unusable.
Motion-picture show reels are very expensive for long productions, peculiarly 70mm film.
Unmistakable aesthetics which cannot be matched digitally.

Digital film cameras

The result tin already be checked on fix.
Digital cameras are very quiet and do non cause noise.
Files can be replicated any number of times and are more hard to lose.
Digital "film" does non be. If the right technology is available, an infinite amount can be recorded.
Often times it seems too "perfect" and likewise "clean".

An introduction to unlike flick cameras

For a long time analog cameras were used in Hollywood considering the pictorial character of chemical picture was preferred past directors and the prototype quality was unrivalled for a long time. This is no longer the example. Digital film cameras with 8K resolutions manage to moving picture with the same high resolution and partially imitate the amuse of analog films. Just 1 video camera is unmatched: the IMAX.

IMAX

A real IMAX camera, for example the MSM 9802, uses technologies that are over 120 years one-time. These cameras are analog and record to 70mm film. This has many disadvantages: The films are very expensive because the film is twice every bit wide as 35mm.

The presenter of a Chicago cinema shows in an example that a re-produced film reel is 10 times more expensive than a 35mm reel. The film reels are too very heavy. Scanning takes a long time and duplication is extremely time-consuming. Moreover, the camera itself weighs a little more than 220 lbs and costs a lot.

With digital cameras these disadvantages do not be. However, the post-obit advantages do not exist: the paradigm quality and resolution are yet unrivalled by digital film cameras.

The resolution is upwardly to 16K – but hardly anyone uses it. Why? Many cinemas don't have the equipment to play 70mm movies, because virtually of the cinemas worldwide have been converted to digital.

In recent years, however, IMAX has experienced a second leap equally directors want to bring dorsum the cinematic feeling of the past. For this reason, the number of IMAX cinemas worldwide is increasing. In gild to enjoy such films, you lot have to visit i of the sparsely distributed IMAX cinemas.

"Dunkirk" by Christopher Nolan was shot nigh exclusively with IMAX film cameras.

Panavision Millennium DLX2

The DLX2 from Usa manufacturer Panavision is ane of the most powerful digital film cameras on the market today. They take been manufacturing their pic cameras since 1954. You cannot buy them, yous can just rent them – unless you are J.J. Abrams.

Rumor has information technology that special Panavision cameras were made for the manager of Star Wars 7. The nicknames of the cameras fit like a glove: Millennium Falcon and Death Star. George Lucas already used Panavision cameras when he was filming Star Wars himself.

You can moving picture 8K (8192 × 4320) at a maximum of 60 frames per 2nd. The contrast range is 14 f-stops and the native ISO is 800. The price of these digital cameras is not known as they are only to rent. Experts estimate $120,000 for the trunk alone. A full lens set could be worth most half a meg United states of america dollars.

ARRI Alexa

These cameras have nothing to do with Amazon. The German manufacturer of moving picture cameras and accessories Arnold & Richter, improve known equally ARRI, is i of the best known players in the industry. The visitor has been effectually since 1917 and the ARRI Alexa 65 is one of the company's flagships. Emmanuel Lubezki, the triple Oscar-winning cameraman, filmed The Revenant with Leonardo DiCaprio on an Alexa 65.

The maximum resolution is vi.5K (6560 × 3100). Optionally 5K and 4K are also possible. Also hither the repetition rate is 60 fps. As with Panavision, the contrast range is 14 rates and native ISO is 800.

ARRI Alexa LF appeared in 2018. The frame charge per unit is much college at 90fps. In compensation, the maximum resolution is smaller at 4.5K. 4K and 2K are also bachelor. Contrast range and native ISO match.

"The Revenant" was awarded an Oscar for Best Camera for 2016. Cameraman Emmanuel Lubezki used an Arri Alexa.

Scarlet One & RED Epic

The American showtime-up company Ruby is the youngest camera manufacturer in our list. The founder, Jim Jannard, is also the founder of the sports and wearing apparel brand Oakley.

In 2005, he decided non only to produce sports glasses, only as well to develop film cameras. The first model "Red One" came to the marketplace in 2017 and in the same year was awarded every bit the most innovative camera in the world. 4.5K resolution, 12bit color depth and xi.iii f-stops contrast range.

About ten years later a new flagship from Cherry appeared. The Monstro. Equally the name suggests, the characteristics are monstrous: 8K total format (8192 × 4320) at a maximum of 60 fps with fourteen f-stops contrast and ISO 800 native.

All the digital picture show cameras presented here record in RAW format. So aperture and exposure can exist changed afterwards without having to film over again.

Canon Camera EOS

Japanese electronics behemothic Canon is as well a role player on the film camera marketplace. With the Catechism EOS C700 and the C700 FF, Canon offers competing devices on a par with the previously mentioned models. These film cameras are also completely digital and capable of top functioning.

The C700 FF features v.9K total format (5952 × 3140) at a maximum of threescore fps, fifteen f-stops contrast range and native ISO 850.

The older model C700 films maximum in 4,5K 16:9 (4622 × 2469), max. 120 fps, 14 apertures and also native ISO 850.

All film cameras at a glance

	digital or analog?	Maximum resolution	Sensitivity	Weight
IMAX	analog (70mm moving-picture show)	16K	depending on moving picture	effectually 220 lbs (3D15-Solido)
Millennium DLX2	digital	8K	ISO 800 (native)	10 lbs
Arri Alexa 65	digital	6,5K	ISO 800 (native)	23 lbs
Ruddy Monstro	digital	8K	ISO 800 (native)	3,v lbs (body only)
Canon EOS C700	digital	4,5K	ISO 850 (native)	vii-eight lbs

Non everyone thinks about it immediately, just weight is very important when using film cameras. © gnepphoto

Film cameras are the key to blockbusters

Seldom do viewers think that their favourite films would not fifty-fifty be possible if there were no analogue or digital picture cameras to capture first-class stories by award-winning actors. Merely sometimes not even film cameras are necessary. Some movies were really shot with an iPhone.

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